Snow Patrol @ LA's Immanuel Presbyterian Church

By Jessica Klausing

Gary Lightbody performs at the Immanuel Presbyterian Church. Photo by Courtney Lavender

Snow Patrol performed a beautiful acoustic set at the Immanuel Presbyterian Church in Los Angeles. In late 2019, for their 25th anniversary, the band released, Reworked, an album consisting of stripped back versions of their songs. The tour was originally scheduled for 2020, but was rescheduled twice due to the pandemic.

“Thank you for helping get us through the pandemic, Gary!” a fan from the balcony eagerly shouted to front man Gary Lightbody as he took stage.

“You’re welcome, but I didn’t do anything really,” Lightbody smiled humbly, acknowledging the thunderous applause and cheers all around him. “Let’s give it up for all of the musicians who were still sharing music during the pandemic, helping us all get through it!”

The past two years have been tough for musicians and music lovers alike with many show postponements and cancellations, but on that Monday night in March, Snow Patrol provided Los Angeles with the comfort of live music and community that we’ve all been deprived of for too long.

The lineup consisted of two originals from the band; Gary Lightbody and guitarist Nathan Connolly. Iain Archer, a former Snow Patrol member, filled in for Johnny McDaid as the keyboardist for the night. Upon scrutiny, one would question why a rock band would choose a cathedral to play a gig. The question was immediately answered as soon as the band launched into “Empress.” During the song the band ceased their playing, allowing their rich a capella harmonies to soar and echo throughout the venue. It was indeed a spiritual performance.

The irony of being in a church was not lost on Lightbody who jokingly commented that he would refrain from saying anything that might get him struck down by lightning. Lightbody kept the mood light with his comedic banter all night. He hilariously admitted to shrinking the only shirt he brought for the show in the laundry. And he not only forgot lyrics to many of the songs despite having them printed in front of him, he also forgot the word 'wrist.' The grinning front man has a way of drawing the audience in with his endearing, self-deprecating humor.

On “I Think Of Home,” Lightbody took a somber moment to remember his grandmother. The low lights shined down as he crooned about the memories of his youth, reminding all of us “there’s beauty north, south, east, west.” My favorite part was when Lightbody finished the song with just his vocals echoing into the cathedral. No instruments. No backing vocals. Just a man and his vulnerability.

A favorite of the night, “Life On Earth,” was packed with emotion. If there was a moment during the show that nearly moved me to tears, it was this song. You could feel the passion in Lightbody’s voice during the chorus. “This not the love you’ve had before/This is something else, this is something else/This is not the same as other days, this is something else/It shouldn’t need to be so fucking hard/This is life on earth, it’s just life on earth. It doesn’t need to be the end of you, or me/This is life on earth, it’s just life on earth.”

During “Called Out in the Dark,” Lightbody insisted everyone stand up and sing along, but it was perhaps, “Chasing Cars” that prompted the most feral crowd screams and the loudest sing a long of the night. The singing became so out of control, the band stopped playing to allow the audience to sing out the ending lyrics, “If I just lay here/If I just lay here/ Would you lie with me and just forget the world?”

By the end of the night, the show turned into one giant sing-a-long dance party. The audience overpowered Lightbody’s vocals during the closers “What If This Is All The Love You Ever Get?” and “Just Say Yes.”

I left the venue feeling rejuvenated and with a thankful heart. The Snow Patrol unplugged gig with those beautiful harmonies and Lightbody’s delightful sense of humor was the spiritual awakening that I did not know I needed, but I’m glad I did. Thank you, Snow Patrol!

SETLIST:
Chocolate
Crack The Shutters
Empress
This Isn’t Everything You Are
Don’t Give In
Run
Set the Fire to the Third Bar
You’re All I have
The Long Shadow
I Think Of Home
These Lies
Life On Earth
Heal Me
Called Out in the Dark
Chasing Cars
Open Your Eyes

ENCORE:
What If This Is All The Love You Ever Get?
Just Say Yes

CONCERT REVIEW: Snow Patrol Take Back the City @ LA's Fonda Theatre

Written by Courtney Lavender

Gary Lightbody of Snow Patrol photo by @U2Soul/Flickr.

"Thanks for coming back," my friend Amy said to singer Gary Lightbody outside Los Angeles' Fonda Theatre last week. "We never weren't coming back," he assured us. It needed to be said anyhow. Gary has been open about the reasons the new Snow Patrol album, Wildness (due May 25th), has taken five years. As an artist with a wide-reaching platform, his frankness regarding his experience with depression will hopefully aid in its destigmatization, and further the discussion around mental health and addiction issues.

During the first song of the April 25th show (the third on their short promo tour), Lightbody kneeled and reached out to a photographer, providing the perfect shot, and received no reaction. "Smile, man!" he prompted good-naturedly between lyrics. "You're really close to me – smile!" Within 60 seconds of taking the stage, he'd both managed to command everyone's attention, and dish out a reminder to be present within the celebratory energy of the room.

I first saw Snow Patrol open for U2 in Ireland in 2005. I was an instant convert; I'd never seen so much joy bursting from one human, such a glowing smile, such a connection to the earth, the sky, the people. Despite the singer's ongoing struggles, and some vocal issues and technical false starts on the night, he is, with remarkable resilience, still smiling. “It’s one of the most incredible feelings, and I forgot," he said of being on stage. "Now I fucking remember.”

The same energy sparked from every corner of the stage – guitarist Nathan Connolly dancing up a storm, bassist Paul "Pablo" Wilson singing every word, keyboardist Johnny McDaid’s eyes twinkling.

Gary Lightbody and Minnie Driver perform photo by @U2Soul/Flickr.

Hearing the old songs live again was a blast. In the context of the evening, "Take Back the City" became a love song to LA, Lightbody's second home, with the honourary Angeleno opening his arms as if to embrace us. "Crack the Shutters" was joyful and reverent as ever; "Make This Go On Forever" a captivating, desperate plea. Minnie Driver even showed up to duet on "Set Fire to the Third Bar."

The group, supported by the force that is Jonny Quinn on drums, is adept at mixing straight-forward rock with more intimate moments, sometimes within the space of seconds. Halting the steady thump of "Shut Your Eyes" to silence, Gary turned the chorus over to the crowd, conducting us to build from a “sexy” whisper to a bellow.  

Outshining the hits, the new tunes were the real stars of the night. They are solid and catchy as ever, but lyrically cut deeper, wider. Fallen Empires, the previous Snow Patrol album, explored themes beyond typical relationship fodder, such as home, family, and childhood, and the Wildness songs previewed at the Fonda reveal an even broader scope of universality. I can’t help but think of the poem “The Summer Day” by Mary Oliver: Tell me, what is it you plan to do with your one wild and precious life?

The first single, "Don't Give In," with its Don't you dare quit so easy chorus, acts as a buoy in a bleak world. Don't say you want it forever*, Gary sings of the darkness. Anyone who's been in the abyss knows its appeal. Connolly adds a particularly blistering riff that alone might convince anyone in doubt that life is worth living.

[*When the album was released, I realised this lyric was actually Don’t say you won’t live forever, which is equally devastating.]

Snow Patrol photo by Courtney Lavender.

"Empress," inspired by producer Jacknife Lee’s kids, seemed in part a tribute to the communal nature of live music, and also contained the singular, glorious truth that We’re all just human in the end. For an additional shot of pure perspective, you get the clincher, This is so damn simple, a reminder to reevaluate any useless preoccupation.

The mark of a great singer is measured less by vocal quality, and more by believability. Do you believe what you are singing? Do others believe you when you sing it? Though he may have tripped up technically at points, I never once doubted what Gary was communicating, nor did anyone in the rapt audience. "Heal Me" was dedicated to someone who saved his life. I've been standing in the fire for way too long, he sang, and I could feel the flames.

"Life on Earth" might be one of the best tunes the band has written. Murky, moody verses are countered with a simplistic, shouty chorus that cuts to the bone – It doesn’t need to be so fucking hard / It doesn't need to be the end of you or me / This is life on earth / It’s just life on earth. BE HERE NOW, the song insists, before three layers of harmony shoot you soaring into space.

Gary Lightbody photo by Courtney Lavender.

Of course, in true Snow Patrol fashion, the vibe wasn't a heavy one, and the band/audience rapport elicited some hilarious banter. Gary spied a sign declaring I LOVE YOU with his name literally in lights. “Now I feel shy.” Another: Popping my Snow Patrol cherry tonight. “I’m not reading any more signs.” Later he admitted that the encore break was long because he had to have a pee and the bathroom was far away.

Perhaps one of the best things about this band is that their casual stage presence eliminates the barrier between performer and crowd, making you forget they’ve had a mega hit. It’s just you and them sharing a theatre with a few strangers, singing together, and laughing about being alive.

After the "long" break, Lightbody and McDaid returned alone for an absolute show-stopper called "What if This is All the Love You Ever Get." Bathed in magenta, motionless but for his hands, Gary delivered the most seemingly hopeless statement with delicately defiant hope. What if it hurts like hell? Then it’ll hurt like hell. It was a flawless performance –  passionate and plaintive, full of empathy, acceptance and gratitude. Why do we search unsatisfied, when what we need is all around us? I’m in the ruins too / I know the wreckage so well / Come on over, come on over here / What if this is all the love you'll ever get?

Their usual set-closer, "Just Say Yes," ended the night on a jubilant note. We could dance. Thanks for coming back.

SETLIST:
Open Your Eyes
Chocolate
Take Back the City
Called Out in the Dark
Don't Give In
Crack the Shutters
Empress
Run
Heal Me
Set the Fire to the Third Bar
Life on Earth
Make This Go on Forever
Shut Your Eyes
Chasing Cars
You're All I Have

ENCORE:
What if This is All the Love You Ever Get
Just Say Yes