CONCERT REVIEW: Long Live 'Monks Of Doom' @ LA's Cafe NELA

Written by Jessica Klausing

Victor Krummenacher and David Immerglück of Monks Of Doom. Photo by Jessica Klausing.

Victor Krummenacher and David Immerglück of Monks Of Doom. Photo by Jessica Klausing.

Monks Of Doom are back on tour. Yes, you read this correctly. The surrealist progressive rockers are back in support of their newest album, The Bronte Pin. This album is the first of new material released in 25 years. The long wait, though highly frustrating, was indeed worth it. Victor Krummenacher (vocals, bass, and guitar), David Immerglück (vocals, guitar, bass, and mandolin), Greg Lisher (guitar), and Chris Pederson (drums, percussion) pulled listeners into a post-rock world of cryptic hysteria and psychedelic instrumentals at LA’s Café NELA.

From the psychedelia opening chimes of “Cherry Blossom Baptism,” off the 1991 album, Meridian, this was a strong performance with Lisher as the driving force, well supported in rhythm by Pederson on the back beat. Krummenacher and Immerglück kept the crowd totally encapsulated and mesmerized with their intricate guitar magic.

If there was ever any doubt, this powerful opener just proved that the Monks are still in fine eccentric musical form. The backdrop acted as a screen for colorful patterns that worked with the simple yet effective lighting to immerse the audience. The sound was good despite a few minor issues with the mic levels in the beginning. Overall the setup made for quite an exhilarating experience.

Victor Krummenacher gets ready to open with "Cherry Blossom Baptism." Photo by Jessica Klausing.

Victor Krummenacher gets ready to open with "Cherry Blossom Baptism." Photo by Jessica Klausing.

The set followed with the spacey rock instrumental “In Anticipation Of the Pope,” off the first album, Soundtrack To The Film: “Breakfast On The Beach Of Deception,” the essence of the distinct MOD sound that brought the band to the forefront in 1987.

Next up “Hieroglyphic” ventures into the realms of Ancient Egyptian psychedelia storytelling with  Immerglück overzealously proclaiming, “the sky is pregnant!”

The band seemed in great spirits with Krummenacher and Immerglück bouncing back and forth between playful stage banter introducing the newer tracks. They displayed their esteemed sense of dark humor by casually warning us that things were about to take an ominous turn.

“The Bastards Never Show Themselves” is an eerie moody piece and the way it is delivered exalts the gloom, the doom, and the angst. It’s a heavy bass thump that takes refuge in your mind and refuses to leave. “Up From the Cane,” another new dark one, delves into more heavy driving riffs. The emotion and aggressive energy of the music create a wave of unsettling tension.

David Immergluck shreds. Photo by Jessica Klausing.

David Immergluck shreds. Photo by Jessica Klausing.

As the night progressed on the Monks went back in time to revisit old favorites in their catalog, including “Going South,” “Oh Well,” and “Ukranian Technological Faith Dance.”

The biggest crowd reaction came from the powerhouse instrumental “Vaporize Your Crystals.” This song has a fantastic melodic dual between Lisher and Immerglück. The two attack it with spirited intensity and exuberance. The music ascends, never ceasing, never relenting, and communicating a driving and creative vitality in everything they do.

The set also included the riveting rendition of Syd Barrett’s “Let’s Split,” off the EP, The Insect God, before returning to The Bronte Pin for the ultimate guitar anthem “Osiris Rising,” which features a feverishly stellar guitar solo by Lisher.

Monks Of Doom perform at LA's Cafe NELA. Photo by Jessica Klausing.

Monks Of Doom perform at LA's Cafe NELA. Photo by Jessica Klausing.

Of course, no one was leaving without an encore and the band returned to close out the show with “Voodoo Vengeance,” from The Cosmodemonic Telegraph Company.

The Monks Of Doom tour runs until May 24 in Kingston ,NY. Prog rock fans are highly encouraged to attend but be warned: It’s bizarre, dark, euphoric, but mostly importantly – It’s alive!

SETLIST:
Cherry Blossom Baptism
In Anticipation Of The Pope
Hieroglyphic
The Bastards Never Show Themselves
Going South
Calvary
Up From The Cane
Oh Well
Vaporize Your Crystals
Riverbed
The Better Angels Of Our Nature
The Sinking Of The Essex
Tanguedia
Let's Split
Ukranian Technological Faith Dance
Osiris Rising

ENCORE:
Voodoo Vengeance
 

CONCERT REVIEW: Umphrey's McGee Blows Minds @ LA's Wiltern

Written by Jessica Klausing

Umphrey's McGee photo by Paul Citone.

Umphrey's McGee photo by Paul Citone.

Umphrey’s McGee entranced the Los Angeles’ Wiltern theater for two, high energy-packed sets.

Amidst the hypnotic psychedelic light show and LED visuals, Umphrey’s McGee seamlessly weaves progressive rock, jazz, disco, funk, metal, and electronic genres into a cohesive dance mix. Each band member has a keen musical ear and an uncanny talent to communicate with each other on stage.

If you’re not familiar with these technically adept musicians then you might be a bit overwhelmed. At any given minute, the band may take a blues ballad and feverishly drive it into a tripped out psychedelic groove. Their classic hits are consistently being re-worked into a whole new sound.

The die-hard UM fans or “Umphreaks” will proudly express how each show is a completely different mind-blowing experience. Umphrey’s is known for their extended complex instrumental jams and abruptly switching songs mid way only to be re-visited later on in the set.  

Organ Freeman photo by Paul Citone.

Organ Freeman photo by Paul Citone.

The opener, Organ Freeman heated up the night with some organ centered instrumental jams. Rob Humphreys (drums), Trevor Steer (organ, key bass), and Erik Carlson (guitar) manage to intricate a funky aesthetic into their peppy soulful grooves. The trio had everyone up and swaying to the beat.

Umphrey’s came out next and launched right into the rock heavy hitter, “Dark Brush,” followed by the funkier “Bad Friday.” The first set comprised mostly of progressive rock melodies with Brendan Bayliss (guitar, vocals) and Jake Cinninger (guitar, vocals) alternating vocals between hard shredding electric riffs and bluesy stripped down rhythms.

Jefferson Waful (Umphrey's McGee Lighting Designer). Photo by Paul Citone.

Jefferson Waful (Umphrey's McGee Lighting Designer). Photo by Paul Citone.

After a twenty minute intermission, Umphrey’s returned with a more electronic trance fused second set, forcing everyone back up on their feet for “Wappy Sprayberry.” “The Floor” followed with Kris Myers (drums, vocals) and Andy Farag (percussion) flawlessly interweaving powerful percussions within the dreamy arrangements.

Without warning, Ryan Stasik (bass) rips us back in to the rock n’ roll endeavor “JaJunk.” Before closing out the set, Umphrey’s treated fans to a transcendental rendition of the Talking Heads’ “Once in a Lifetime.” The performance left many excited whispers exchanged throughout the venue.

From left to right: Ryan Stasik (bass), Brendan Bayliss (guitar, vocals), and Jake Cinninger (guitar, vocals). Photo by Paul Citone.

From left to right: Ryan Stasik (bass), Brendan Bayliss (guitar, vocals), and Jake Cinninger (guitar, vocals). Photo by Paul Citone.

Umphrey’s McGee continues to astound with their precise technically crafted musicianship, their vast variety in sound over their discography and their ability to create sophisticated and fun-loving tracks to just dance to and enjoy. If you’re looking for a band that challenges the multi genre scope, Umphrey’s McGee is well worth the listen!

SETLIST

Set I:

Dark Brush

Bad Friday

Bridgeless

Example 1

Rocker Part 2

Draconian

Bridgeless

 Set II:

Wappy Sprayberry

The Floor

Booth Love

JaJunk

Once in a Lifetime (Talking Heads cover)

Maybe Someday

ENCORE:

Haji

The Silent Type